The Pistis Sophia
Sophia, the Last Star of the Pleroma
The youngest Aeon, lured by a false light, falls into Chaos, and is raised again.
Read her story →Begin with a figure
The handful of figures everyone has heard of, for better or worse. The saviors and the adversaries whole religions were built around, or against.
Founders of Tradition
When the Scriptures Appeared
The Other Side
Every light casts a shadow, charted across the same 5,000 years.
Relics & sacred objects
Your idol, across the ages
Wisdom, the Adversary, the god who dies and rises. The same figure surfaces in faith after faith.
On screen
The films that pulled their story straight from scripture, and what they kept, changed or inverted.
Pure Gnosticism in leather: the world is a prison built by a false maker, and salvation is gnosis, waking up. Neo is the one who sees the code behind the illusion, the spark that remembers the Pleroma.
Draws from the Nag Hammadi gospels →Aronofsky rebuilds the Flood from Genesis but smuggles in the Watchers of the Book of Enoch as fallen, stone-clad angels, fusing two scriptures into one ecological judgement.
Draws from Genesis (Torah) →The Exodus narrative played as fraternal tragedy: Moses and Rameses as brothers torn by the plagues. Keeps the burning bush and the parting sea almost verbatim from the text.
Draws from Exodus (Torah) →A near-liturgical reconstruction of the final twelve hours from the four Gospels, in Aramaic and Latin, scripture as unbroken, brutal procession to the cross.
Draws from the Gospels →